
I-Jen Fang
Described as an “intrepid percussionist” by Fanfare Magazine, I-Jen Fang has a career as a solo performer, chamber musician, orchestral player, and teacher. She joined the faculty of the Music Department at the University of Virginia in 2005 and serves as the Principal Timpanist and Percussionist of the Charlottesville Symphony.
As a soloist, I-Jen has performed in Taiwan, U.S., Austria, France, Hungary, Poland, Romania, and South Africa. As a chamber musician, I-Jen has performed or recorded with artists such as Keiko Abe, Gregory Beyer, Christopher Deane, Mark Ford, Dave Hall, Edward Janning, Heini Kärkkäinen, Sivan Magen, Vladimir Mendelssohn, Minna Pensola, Carsten Schmidt, Ed Smith, Nanik Wenton, Nyoman Wenton, EcoSono Ensemble, Cantata Profana, Attacca Percussion Group, DaCapo Chamber Players, Victory Hall Opera and Charlottesville Opera. She has appeared in Staunton Music Festival, Wintergreen Festival, Charlottesville Chamber Music Festival, Heritage Theater Festival, Greencastle Summer Music Festival, DRUMFEST XXVIII (Poland), International Viola Congress, National Flute Association Convention, Society for Electro-Acoustic Music in the United States (SEAMUS) Conference, Percussive Arts Society International Convention (PASIC) and Regional PAS Day of Percussion. She is also a founding member, with Ayn Balija, of the Piedmont Duo, which explores the sonic possibilities of the viola and percussion. In 2024, the duo was invited to perform in Hungary and Brazil.
Born in Taipei, Taiwan, I-Jen began her musical education at age six taking piano lessons. Taking up percussion at the age of nine, she came to the United States at age fifteen to pursue her Bachelor of Fine Arts degree in Percussion Performance at Carnegie Mellon University. She received her Master of Music degree from Northwestern University and her Doctor of Musical Arts degree from the University of North Texas where she served as a teaching fellow.
I-Jen is an Innovative Percussion, Marimba One, and Sabian Cymbals artist.
As a soloist, I-Jen has performed in Taiwan, U.S., Austria, France, Hungary, Poland, Romania, and South Africa. As a chamber musician, I-Jen has performed or recorded with artists such as Keiko Abe, Gregory Beyer, Christopher Deane, Mark Ford, Dave Hall, Edward Janning, Heini Kärkkäinen, Sivan Magen, Vladimir Mendelssohn, Minna Pensola, Carsten Schmidt, Ed Smith, Nanik Wenton, Nyoman Wenton, EcoSono Ensemble, Cantata Profana, Attacca Percussion Group, DaCapo Chamber Players, Victory Hall Opera and Charlottesville Opera. She has appeared in Staunton Music Festival, Wintergreen Festival, Charlottesville Chamber Music Festival, Heritage Theater Festival, Greencastle Summer Music Festival, DRUMFEST XXVIII (Poland), International Viola Congress, National Flute Association Convention, Society for Electro-Acoustic Music in the United States (SEAMUS) Conference, Percussive Arts Society International Convention (PASIC) and Regional PAS Day of Percussion. She is also a founding member, with Ayn Balija, of the Piedmont Duo, which explores the sonic possibilities of the viola and percussion. In 2024, the duo was invited to perform in Hungary and Brazil.
Born in Taipei, Taiwan, I-Jen began her musical education at age six taking piano lessons. Taking up percussion at the age of nine, she came to the United States at age fifteen to pursue her Bachelor of Fine Arts degree in Percussion Performance at Carnegie Mellon University. She received her Master of Music degree from Northwestern University and her Doctor of Musical Arts degree from the University of North Texas where she served as a teaching fellow.
I-Jen is an Innovative Percussion, Marimba One, and Sabian Cymbals artist.
The Bones of Chuang Tzu by Christopher Deane
Session Description:
“The Bones of Chuang Tzu (Prelude No. 5 for Timpani) by Christopher Deane was premiered on April 14, 2003, at the DMA recital of I-Jen Fang. A birthday gift from Deane, the composition was completed just prior to Fang’s 22nd birthday. This effort was particularly special, as both the composer and performer share the same birth date. Inspiration for the piece came from Fang’s native ethnicity and dance background in Eurhythmics and Deane’s knowledge of and enthusiasm for Chinese literature. The Bones of Chuang Tzu is based on a Chinese poem written by poet, literary scholar, astronomer, mathematician, and artist Chang Heng (78-139). The extended technique is used to create the sound of bones clicking. Throughout the composition, the performer explores a variety of sounds while using different combinations and manipulations of the mallets, shafts, butts, rims, and heads.”
— Christopher Deane
— Christopher Deane
Session Category:
- New Music/Research
Date:
Thursday, November 13, 2025
Time:
9:00 AM
Location:
Room 120
Session Type:
New Music/Research Presents
Session Format:
Live