← Back to Schedule
Dr. Matthew Lau, Dr. Marco Schirripa, Dr. Wei-Chen, Lin, Dr. Dan Piccolo, Dr. Mei-Shyuan, Chiou
Marco Schirripa, Assistant Professor at Central Michigan University, is a marimba soloist and chamber musician, founder of Heartland Marimba Quartet, and has premiered over 50 new works, including his PIXEL MASTERWORKS consortium. Dan Piccolo, Associate Professor of Percussion at Bowling Green State University, performs internationally as a soloist, chamber musician, and jazz drummer, and regularly presents performances and educational workshops at the Percussive Arts Society International Convention (PASIC). Matthew Lau, Premier Artist of Marimba One and co-founder of The Up Project, performs worldwide, premieres new works, and advocates for diverse percussion narratives. Mei Shyuan Chiou is a Taiwanese percussionist and performer-researcher focusing on embodied technique and extended six-mallet marimba practice. She co-founded Composite Duo and develops new repertoire. Wei-Chen Lin is Assistant Professor at National Chiayi University and Percussion Lecturer at Boston University. He performs internationally.

Beyond Technique: Preparing Percussion Students for Real-World Careers Across Cultures

Panel DiscussionEducation
Panel DiscussionLive

This panel addresses challenges faced by percussion students from diverse cultural backgrounds studying in unfamiliar educational environments. Students often encounter obstacles beyond technical training, including differences in learning styles, educational expectations, and cultural norms. Drawing on teaching and performance experiences across North America, Asia, Europe, and Latin America, panelists explore strategies for supporting artistic development, career readiness, and global adaptability.

Applying a performer-educator methodology, the panel combines comparative discussion, case studies, and concrete examples from the panelists’ experiences. Participants will learn how cultural values, pedagogical approaches, and communication strategies shape learning, and how these strategies can be adapted for students of varying backgrounds and skill levels. The discussion is informed by research in cross-cultural music education and contemporary percussion pedagogy, including studies on embodied learning, student-centered teaching, and intercultural competence.

Panelists will address questions such as: How can educators support students in communicating artistic ideas across cultural boundaries while developing technical and artistic skills? How can multiple perspectives help students navigate unfamiliar expectations? What approaches cultivate adaptability, resilience, and professional readiness? How can college students discover their unique artistic voice and develop essential skills, including grant writing, concert curation, and digital media proficiency?

By connecting students with practical strategies, community expertise, and critical reflection, this session equips educators and students to navigate diverse learning environments, maximize artistic potential, and prepare for careers in a global music landscape.