Bonnie Whiting

Bonnie Whiting (she/her) performs, improvises, and creates new music for percussion. Exploring intersections of storytelling and experimental music, her work integrates text, movement, and technology. Her solo albums on Mode Records and New Focus Recordings feature new and historical works for speaking percussionist. Current projects include a song cycle for speaking percussionist co-composed by Eliza Brown and 10 incarcerated musicians, a collaboration with composer Wang Lu, and the world premiere of Jonathan Bingham's percussion concerto with the NSO at the Kennedy Center. She recently performed in the multimedia opera The Ritual of Breath Is the Rite to Resist, with productions at Lincoln Center, The Hopkins Center, and Stanford Live. She is co-Artistic Director of Seattle Modern Orchestra, and she has performed with Ensemble Dal Niente, International Contemporary Ensemble, Talea Ensemble, and red fish blue fish. She is Chair of Percussion Studies at the University of Washington.
Stages (2023) by Wang Lu, performed by Bonnie Whiting

Session Description:

Stages (2023), developed by Wang Lu and Bonnie Whiting, centers music for singing, speaking, and moving percussionist. The project explores and unveils deeply hidden stages of consciousness and moves fluidly between them using sounds, bodily movements, vocalizations, and text recitations, while also employing both everyday objects. Growing up in China, Lu played snare drum in marching band as a Communist Young Pioneer, waving plastic flowers in ceremonies to honor leaders. Simultaneously, Whiting found herself stuck between family and religious extremism. These shared experiences of confusion and struggle motivated the themes and subtexts of the piece, which moves between detonation of emotions and cool abstraction. The physical movement exemplifies both restlessness and exhaustion, drawing on elements of marching choreography, trauma release therapy, and charismatic rituals in evangelical Christianity. The text comes from Lucy Corin’s playfully devastating short story: “Questions in Significantly Smaller Font”, adapted in part from the website raptureready.com.

Session Category:

  • New Music/Research

Date:

Thursday, November 13, 2025

Time:

11:00 AM

Location:

Room 120

Session Type:

New Music/Research Presents

Session Format:

Live