
James Mauck
James Mauck is a drummer and percussionist based out of Champaign, IL. He performs as a soloist, Forebeat, where he mixes drum set, found percussion and electronics and also does freelance work around the Midwest. By participating with local theatre companies, community orchestras, and supporting national touring acts, James is building a reputation as an on-call musician in his region. James studied at Eastern Illinois University where he received his B.A. in Music Performance in 2013. While at EIU, he performed with their Jazz Ensemble, Wind Symphony, Blue Note Quintet, Orchestra, and Percussion Ensemble. This gave James the opportunity to perform alongside a variety of talented guest artists throughout his education. Some of these notable musicians include Jeff Hamilton (Diana Krall), Sara Caswell (Esperanza Spalding), Scott Wendholt (Kenny Garrett), Conrad Herwig (Clark Terry), and Bobby Shew (Woody Herman). After graduating, James has performed in many venues across the Midwest, including The Little Theatre on the Square (Sullivan, IL), David Palmer Arena (Danville, IL), and Memorial Stadium (Champaign. IL). He has had the chance to share the stage with artists/groups such as Gavin Lee, Sean MacLaughlin, Sarah Pfisterer, Ben Portsmouth, Lou DiBello, Kansas, Survivor, the Danville Symphony Orchestra, the Owensboro Symphony Orchestra, and the Lafayette Symphony Orchestra. James has also done a variety of session work at well-known recording studios including Pogo Studios (Champaign, IL), SCP Studio (Danville, IL), Music Garage (Indianapolis, IN), and The Pearl (Minneapolis, MN). In March 2014, James was a featured drummer in the New Blood segment of Drum! Magazine.
Forebeat: Improvisation through Acoustic-Electronics
Session Description:
In this session, James will briefly explain the process behind his project, Forebeat, how to incorporate electronics into your acoustic set up, and demonstrate how he utilizes electronics in his improvisations. James uses Forebeat as a means to explore the relationship between rhythm and texture, either balancing the two or treating one as accompaniment to the other. Rhythms are often stretched or uneven depending on how “perfect” a loop is recorded. Oftentimes we get too hung up on playing with a perfect tempo that we forget that rhythm can be elastic. It’s when musicians embrace that elasticity that unique and interesting textures can be created! The goal of this session is to showcase the freedom and musicianship that can be developed when you introduce electronics and looping into your improvising practice and performance.
- Electronic/Technology
Date:
Friday, November 14, 2025
Time:
10:00 AM
Location:
Room 101
Session Type:
Clinic / Performance
Session Format:
Shared









