This article is an introduction to the use of selected Spectral compositional techniques for percussion using Gerard Grisey’s “Tempus Ex Machina” and Canadian composer Francois Rose’s “Points d’mergence” as models of repertoire for chamber and solo percussion.
Subscribe to continue reading
Continue your percussion discovery by joining the Percussive Arts Society today.
You'll join a global community of thousands of other dedicated percussionists, drummers, music educators, and students committed to pursuing knowledge, enhancing their technique, and supporting each other.
OR
